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Hipgnosis- Classic Album Cover Art
With the renewed interest in vinyl records, an old friend is becoming more important again- album cover art. There have been tens of thousands of album covers created throughout the years and there are some that are instantly recognized, while some remain obscure, but one thing is certain, album cover art is part of our pop culture and the rock and roll lexicon.
Let's explore a particularly innovative British art design company that specialized in creating instantly recognizable album cover- Hipgnosis. This creative group has made album covers for some of rock's dignitaries, including Pink Floyd, Genesis, Black Sabbath, Led Zeppelin, Yes and the Scorpions, to name a few.
Hipgnosis primarily consisted of artists Storm Thorgerson, Aubrey Powell and later on, Peter Christopherson. In 1968, Thorgerson and Powell were asked to design an album cover for Pink Floyd's second album called "A Saucerful Of Secrets." They completed that project and soon commissioned additional work from EMI, which included photos and album covers for Free, Toe Fat and the Gods.
Being art and film students, the pair was able to utilize the darkroom at the Royal College of Art, but after they graduated, they had to set up their own facilities and in early 1970 they rented a space and built their famous studio.
Their unique company name came from graffiti found on the door to their apartment. They liked the word because it sounded like hypnosis and they combined two somewhat contradictory terms, "hip" for new and cool and "gnosis," which related to ancient learning.
Hipgnosis' novel approach to album design was strongly photography-oriented, and they pioneered the use of many innovative visual and packaging techniques. In particular, Thorgerson & Powell's surreal, elaborately manipulated photos that utilized innovative darkroom tricks, multiple exposures, airbrush retouching, and mechanical cut-and-paste techniques were a film-based forerunner of what would, much later, be called photoshopping.
"We were self-taught," writes Powell in the book," For The Love Of Vinyl." "What we did was come up with ideas based on the music. The design ideas were poorly sketched in the early days and required a lot of accompanying blag to be understood. Our usual strategy was to talk the job through with each other and then use photography as a means to express it."
Hipgnosis got their real big break in 1973 when they were hired to do the cover for another Pink Floyd album, "Dark Side Of The Moon," which is one of the most recognized album covers in the world. After the success with the Floyd cover, they were in high demand and soon took on jobs for Led Zeppelin, Genesis, UFO, Black Sabbath, Peter Gabriel and The Alan Parsons Project, to name a few.
Peter Christopherson joined the company in 1974 as an assistant and later on he became a full partner. The firm employed many talented assistants, of particular note were freelance artists George Hardie, Colin Elgie, Richard Manning and Richard Evans.
Another interesting side note is that the company did not have a set fee for designing a particular album cover, instead they asked the musicians to "pay what they thought it was worth," a policy that would occasionally backfire according to Thorgerson.
Let's explore some of the stories behind the album covers:
Pink Floyd- Dark Side Of The Moon (1973)
Probably Hipgnosis' most famous work, the album was originally released in a gatefold LP sleeve designed by Hipgnosis and bore Hardie's iconic refracting prism on the cover. Inside the LP were two posters, one bearing pictures of the band in concert with the words PINK FLOYD broken up and scattered about, and the other being a slightly psychedelic image of the Great Pyramids of Giza taken on infrared film. The album was also the first Pink Floyd album to have picture labels on the record where it depicted a blue prism with black background and the credits written either in grey lettering (European issues) or white lettering (US and Canadian issues). Also included was a sheet of stickers of the pyramids.
The album is the third best-selling album of all time worldwide (not counting compilations and various artists soundtracks), and the 20th-best-selling album in the United States. Though it held the #1 spot in the USA for only one week, it spent a total of 741 consecutive weeks-over fourteen years-on Billboard's list of the top 200 best selling albums, longer than any other album in the history of music.
Led Zeppelin- Houses of The Holy (1973)
The concept for the cover was taken from Arthur C Clarke's Childhood's End. It is a collage of several photographs which were taken at the Giant's Causeway, Northern Ireland, by Aubrey Powell. The two children who modeled for the cover were siblings Stefan and Samantha Gate. The photo shoot was a very frustrating affair and took ten days. Shooting was done first thing in the morning and at sunset in order to capture the light at dawn and dusk, but the desired effect was never achieved due to constant rain and clouds. The photos of the two children were taken in black and white and were multi-printed to create the effect of 11 individuals that can be seen on the album cover. The results of the shoot were less than satisfactory, but some accidental tinting effects in post-production created an unexpectedly striking album cover. The inner sleeve photograph was taken at Dunluce Castle near to the Causeway.
Jimmy Page has said that the album cover was actually the second version submitted by Hipgnosis. The first, by artist Storm Thorgerson, featured an electric green tennis court with a tennis racquet on it. The band was furious that Thorgerson was implying their music sounded like a "racket", the band fired him and hired Powell in his place.
Atom Heart Mother- Pink Floyd (1970)
The original album cover depicts a cow standing in a pasture with no text or any other clue that it was an album from Pink Floyd, although some later editions have the title and artist name added to the cover. The concept was the group's reaction to the psychedelic "space rock" imagery associated with Pink Floyd at the time; the band wanted to explore all sorts of music without being limited to a particular image or style of performance.
So the band requested that their new album cover have "something plain" on the cover, which ended up being the image of the cow. Storm Thorgerson, inspired by Andy Warhol's famous "cow-wallpaper," has stated that he simply drove out into a rural area near Potters Bar and photographed the first cow he saw. The cow's owner identified her name as "Lulubelle III." More cows appear on the back cover (again, with no text or titles), and on the inside gatefold. Again, an instantly recognizable cover, simple as it is.
Peter Gabriel (1980)
Peter Gabriel's third album, it contains two of Gabriel's most famous songs, the U.K. Top 10 hit "Games Without Frontiers" and the political song "Biko."
This album is often referred to as "Melt" due to its cover photograph by Storm Thorgerson. The photo was taken with a Polaroid SX-70 instant camera, and subsequently modified by Thorgerson or Gabriel, and one side of the portrait of Gabriel seems to be melting; although Thorgerson does not recall whether he or Gabriel manipulated the image.
...And Then There Were Three... Genesis (1978)
A rather gloomy and dark cover; it is one that Hipgnosis was not real keen on as Thorgerson explains:
"We were trying to tell a story by the traces left by the light trails. It was a torch, a car, and a man with a cigarette. The band was losing members and there were only three of them left. The lyrics of the songs were about comings and goings and we tried to describe this in photographic terms by using time-lapse. So there's a car going off to one side and then the guy gets out of the car, walks over to the front of it, and lights a cigarette. But as he walks he uses a torch and the car he was in leaves. There's a trail left by the car, a trail left by him as he's walking and then he lights a cigarette, which on the cover is where there's a flash of his face."
Still, whether the company was happy with the result or not, it is another amazing cover.
In Through the Out Door- Led Zeppelin
This original album featured an unusual gimmick: the album had an outer sleeve which was made to look like a plain brown paper bag and the inner sleeve featured black and white line artwork which, if washed with a wet brush, would become permanently fully colored. There were six different sleeves featuring a different pair of photos and the external brown paper sleeve meant that it was impossible for record buyers to tell which sleeve they were getting. The pictures all depicted the same scene in a bar (in which a man burns a Dear John letter), and each photo was taken from the separate point of view of someone who appeared in the other photos. In 1980 the album was nominated for a Grammy Award in the category of best album package.
Storm Thorgerson recalls the design in his book "Eye of the Storm":
"The sepia quality was meant to evoke a non-specific past and to allow the brushstroke across the middle to be better rendered in color and so make a contrast. This self same brushstroke was like the swish of a wiper across a wet windscreen, like a lick of fresh paint across a faded surface, a new look to an old scene, which was what Led Zeppelin told us about their album. A lick of fresh paint, as per Led Zeppelin, and the music on this album... It somehow grew in proportion and became six viewpoints of the same man in the bar, seen by the six other characters. Six different versions of the same image and six different covers."
Hipgnosis' ideology and concepts are still being utilized and will be copied for years to come. Thankfully, these young art and photography students understood the meaning of an album cover and the art and music worlds are a better place because of their insights and talent.
About the Author
Author Robert Benson writes about rock/pop music, vinyl record collecting and operates
http://www.collectingvinylrecords.com
, where you can pick up a copy of his FREE ebook called "The Fascinating Hobby Of Vinyl Record Collecting." Have your vinyl records appraised at
http://www.vinylrecordappraisals.com
.
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Pixi Illuminating Tint & Conceal - No.1 Light Glow $35 Illuminating tinted moisturizer with matching concealer in the cap. This multipurpose beautifier does triple duty, acting as your moisturizer, sunscreen, and luminizer to provide sheer coverage that makes skin appear flawless & lit from within. Super-hydrating ingredients and protective SPF 20 keep your skin flawless. Goes on feather-light, leaves your skin looking naturally radiant, and can be layered for extra coverage. The shades are highlighted with pearlized minerals for a youthful glow. Take off the clear lid to reveal the full coverage concealer, a crème-to-powder formula that masks imperfections with a skin-loving combination of Aloe Vera, Vitamin E and Vitamin C. Illuminating tinted moisturizer: 1. Ginseng root extract: Contains a variety of constituents and building blocks with revitalizing, regenerating and immune-boosting qualities that are highly valued in skin care. 2. Ginkgo Biloba extract : Often called the miracle herb, it maintains youthful skin, revitalizes and improves circulation. 3. Vitamin C: Revitalizes tired lifeless skin. Protects and fights premature aging of skin. 4. Lysine: Amino Acid that builds protein in the skin to maintain a youthful & cushy skin surface. 5. Titanium & Zinc Dioxide (SPF 20): Natural minerals with SPF factor. Illuminating concealer: 1. Vitamin E: Protects skin cells from ultraviolet light, pollution and other elements that produce cell-damaging free radicals. 2. Vitamin A: Powerful anti-aging ingredient. 3. Aloe Vera: Soothing and healing ancient skin care ingredient. 4. Vitamin C: Anti-aging free-radical fighter. No.1 Light Glow - A very fair neutral shade of tint & concealer. No.2 Bare Glow - A light to medium neutral tone of tint & concealer. No.3 Nude Glow - A medium neutral shade of tint & concealer. No.4 Sun Glow - A tanned, golden shade of tint & concealer. Directions: To apply tinted moisturizer: Apply a coin size amount to the face and blend from the middle and out. Use more if needed, as you would a normal day lotion. To apply concealer: Dot concealer straight from concealer bullet onto the skin and blend with fingertips, tapping the concealer into the skin. Net Weight: See below. Ingredients: Skin Tint: (Active Ingredients) Titanium Dioxide (CI 77891), Zinc Oxide (CI 77947). (Other Ingredients) Water (Aqua), Cyclomethicone, Propylene Glycol, PEG/PPG-18/18 Dimethicone, Octyldodecyl Neopentanoate, Dimethicone, Magnesium Chloride, Potassium Chloride , Aluminum Chloride, Copper Sulfate, Manganese Chloride, Sodium Chloride, Cobalt Chloride, Lysine, Panax Ginseng Root Extract, Ginkgo Biloba Leaf Extract, Anthemis Nobilis Leaf Extract, Phytantriol, Magnesium Ascorbyl Phosphate, Retinyl Palmitate, Tocopheryl Acetate, Tocopherol, Tetrahexyldecyl Ascorbate, Boron Nitride, Glycerin, Palmitic Acid, Dextrin Palmitate, Sodium Hyaluronate, Sodium Dehydroacetate, Phenoxyethanol, Methylparaben, Propylparaben. May Contain: [+/- Iron Oxides (CI 779491, CI 77492, CI 77499), |
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Planum Wavy Ceiling Wall Light by Arturo Alvarez $1525.5 The Arturo Alvarez Planum Wavy Ceiling Wall Light allows you to cover large surfaces with a warm and pleasant light. Delicate shapes with small and subtle relief that creates authentic skies of light in architectural surroundings. Planum can be mounted on the wall or ceiling, to allow for ambient light leak, this item does not sit flush. The Planum Wavy Ceiling Wall Light features Stainless Steel Mesh sprayed with pigmented silicone. The interaction between the light source and the silicone mesh creates dramatic shadows and contrasts. Each piece is handmade, so no two pieces are the same and each is considered an original work of art. Please note, the lamps may be visible from certain perspectives. Handmade in Spain, Arturo Alvarez lighting products are created by skilled artisans using lead-free solder and high-quality glass, and each piece is part of a limitied series. The Arturo Alvarez Planum Wavy Ceiling Wall Light is available with the following: Included Features:Stainless Steel Mesh sprayed with pigmented silicone.UL Listed.ADA Compliant.Designed by Arturo Alvarez.Options:Color: Black, Blue, Orange, or White.Shape: Rectangle, or Square. Please Note: The silicone mesh is very heat resistant, extremely durable, and easy to clean. Lighting:Rectangle option utilizes two 24 Watt 120 Volt Type T5 Bi-Pin Fluorescent lamps (not included).Square option utilizes four 24 Watt 120 Volt Type T5 Bi-Pin Fluorescent lamps (not included).Shipping: Select stock options ship in 3-5 business days, Non-stock options ship in 12-16 weeks. Any out of stock item can be expedited to ship in 4-6 weeks for an additional fee. Please see Items tab for availability. Dimensions: Square Option: Length 37.75 In., Width 37.75 In., Depth 3.25 In. Rectangle Option: Length 37.75 In., Width 18.75 In., Depth 3.25 In. |
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Tint Adjust Shield for Apex/Sprint/Arrow Helmet $69.95 Bell Tint Adjust Photochromic Shield Automatically shifts between clear and tinted - Activated by the sun’s ultraviolet light Automatically adjusts to lighting conditions Shield is clear at night and in low light; tinted in bright light Bell NutraFog II® anti-fog coating reduces fogging Anti-scratch and UV-protected coatings block 99 percent of UV rays Compatible only with Bell Click Release™ shield system |
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Tooling Wall/Ceiling Light by Ingo Maurer $820 One to add to the tool box. The Ingo Maurer Tooling Wall/Ceiling Light provides bright, adjustable light for everywhere from the bedroom to the garage. Its simple, utilitarian design is perfect for contemporary spaces, featuring a 180-degree rotatable head that tilts 45 degrees. Great for both ceiling and wall applications. Designed by Christoph Matthias. Made in Germany. More experimentalist than anything else, German designer Ingo Maurer continues to surprise and exceed expectations. By using a wonderfully bizarre mix of found and created objects to create his capricious masterpieces, Ingo Maurer has become a pioneer in repurposed and environmentally enlightened lighting designs. The Ingo Maurer Tooling Wall/Ceiling Light is available with the following: Details:Aluminum shadeRound stainless steel and aluminum base3" round base-plate cover with US Adapter plateHead rotates 180 degrees and tilts 45 degrees Not UL/ETL ListedMade in GermanyDesigned by Christoph MatthiasCare Instructions: Wipe with damp cloth. Do not use cleaners containing solvents. Lighting: One 150 Watt 125 Volt Type B15d Halogen lamp (included). Shipping: This item usually ships in 8-10 weeks. Dimensions: Fixture: Height 9.8 In., Extension 9.4 In. |
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Oskar Task and Bookend Light by Ingo Maurer $580 Sexy and studious, the Ingo Maurer Oskar Task and Bookend Light was designed by Maurer to both hold books in place when they're on a shelf and illuminate their pages when they're being read. The slim, rectangular aluminum transformer base fits in seamlessly with a row of books. From this, an adjustable metal arm projects for perfectly positioned reading light. More experimentalist than anything else, German designer Ingo Maurer continues to surprise and exceed expectations. By using a wonderfully bizarre mix of found and created objects to create his capricious masterpieces, Ingo Maurer has become a pioneer in repurposed and environmentally enlightened lighting designs. The Ingo Maurer Oskar Task and Bookend Light is available with the following: Details:Anodized aluminum shade with protective glass coverAnodized aluminum baseFlexible metal armIntegrated electronic transformerOn/off toggle switch on transformer13' cord with plugLow-voltageNot UL/ETL ListedMade in GermanyDesigned by Ingo Maurer, 1998Care Instructions: The protective glass cover can be cleaned as required with an ordinary household glass cleaner. Use damp cloth for aluminum parts. Lighting: One 50 Watt 12 Volt Type GY6.35 Halogen lamp (included). Shipping: This item usually ships in 8-10 weeks. Dimensions: Fixture: Height 13 In., Width 7.5 In. |
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Black Silicone Skin Case For Samsung Tint r420 $19.99 Designed for Samsung Tint (SCH-r420) With openings for screen display, side buttons, camera lens, charger jack and headset jack, which allow easy access to all phone functions. Skin-tight cover. Protects your phone from scratches. Keeps the phone body in good condition and looking new. The phone can be used while inside the case and flip action of the phone will not be affected. Made of silicone. Color : Black |
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Ainsley Square Bollard Path Light by Kichler $358 By day, the Kichler Lighting Ainsley Square Bollard Path Light is a sculptural, intricately patterned brass structure finished in a gleaming Verdigris with Aged Brass. By night, it casts unique lighting patterns across a path through the pierced etchings that cover the post and the etched seedy glass of the classic lantern on top. Since 1938, Cleveland-based Kichler Lighting has created exceptional lighting in a variety of styles, finishes, colors and designs. With a diverse collection of indoor and outdoor lighting in classic and contemporary styles, Kichler Lighting always focuses on making home lighting that is both beautiful and functional. The Kichler Ainsley Square Bollard Path Light is available with the following: Details:Etched Seedy glass shadeVerdigris with Aged Brass finishBrass construction14" in-ground stake24" wire leadsCable connector included12V T-5 wedge base socketLow-voltageUL Listed for wet locationsLighting: Two 16.25 Watt 12 Volt Low-voltage Incandescent lamps (included). Shipping: This item usually ships in 3-5 days. Dimensions: Fixture: Width 7.75 In., Height 32 In. |
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Dermalogica Sheer Tint Moisture SPF 15 (Light) $43 Oil-free hydration and sun protection united. Dermalogica Sheer Tint Moisture SPF 15 is ideal for users of Active Moist or Skin Smoothing Cream who are looking for a daytime moisturizer with a built-in SPF15. For all skin types This lightweight, oil-free cream provides the ideal combination of moisture to combat dehydration, antioxidants to protect against free radical damage, and UV protection. Natural Zinc Oxide minerals protect against sunlight and make skin radiant, while extracts from Olive Oil and Walnut Seeds provide antioxidant protection and improve skin texture. A full spectrum sunscreen provides daily solar defense. Fragrance free. Bioflavonoids from Walnut Seed, along with antioxidant Olive Seed, scavenge free radicals. Lactic Acid hydrates skin and stimulates cell renewal. Octinoxate and Zinc Oxide protect the skin against UVA and UVB damage. Directions: Apply over entire face and neck if desired. Net Weight: 1.5 oz. / 44 ml Ingredients: Active Ingredients: Octinoxate (7.5%), Zinc Oxide (5%) Other Ingredients: Lavandula Angustifolia (Lavendar) Extract, Caprylic/Capric Triglyceride, Butylene Glycol, Methyl Gluceth-20, Dimethicone, Lactamide MEA, Glyceryl Stearate, PEG-100 Stearate, Stearic Acid, Cetearyl Alcohol, Juglans Regia (Walnut) Seed, Olea Europaea (Olive) Fruit Extract, Allantoin, Panthenol, Sodium Lactate, Lactic Acid, Serine, Sorbitol, Glycerin, Lavandula Hybrida Oil, Pentylene Glycol, Cetyl Alcohol, Xanthan Gum, Polysorbate 60, Sodium Chloride Urea, Magnesium Aluminum Silicate, Disodium EDTA, Triethoxycaprylylsilane, Aminomethyl Propanol, Phenoxyethanol, Sodium Benzoate, Methylparaben, Propylparaben, Titanium Dioxide (CI 77891), Iron Oxides (CI 77491, 77492, 77499) Mica (CI 77019). |
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National Cycle N2534 Light Tint Flyscreen for 1995-2009 Honda Kawasaki Suzuki $139.46 . National Cycle N2534 Light Tint Flyscreen for 1995-2009 Honda Kawasaki Suzuki Here's a stylish item for cruisers standard bikes hot rods and performance machines. Its unique fork mount system with countersunk screws creates a very clean subdued appearance. The minimalist screen is accented with a chrome front trim plate. Installation is easy and the results will really enhance your machine. Flyscreen also available with Headlight Mount Style (for most standard motorcycles): *N2543 (light tint) *N2544 (dark tint) Fitment: 2002-2003 Honda VT750C/CD Shadow ACE 1996-2004 Kawasaki VN1500E Vulcan 1500 Classic 1999-2005 Kawasaki VN1500J/R Vulcan 1500 Drifter 1996-2005 Kawasaki VN800B Vulcan 800 Classic 2000-2006 Kawasaki VN800E Vulcan 800 Drifter 2005-2009 Suzuki C50 Boulevard 2005-2009 Suzuki M50 Boulevard 1997-2004 Suzuki VZ800 Marauder The following models require additional hardware: 1995-1999 Honda VT1100C2 Shadow ACE 2001-2002 Honda VT750C/CD Shadow ACE 2004-2009 Honda VT750C Shadow Aero (Wide Frame) 2004-2009 Honda VT750C Shadow Aero (Narrow Frame) |
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National Cycle N2591 Light Tint Deflector Screen for 7/8in. and 1in. Handlebars $133.16 . National Cycle N2591 Light Tint Deflector Screen for 7/8in. and 1in. Handlebars The Deflector Screen is a unique first-time shield that is small and unobtrusive but still has that custom look. Adjustable to fit a wide range of Harley motorcycles. Fits models with 7/8in. and 1in. Handlebars **Note: Does not fit VTX1300 R/S Note: For models with non-tubular handlebars order the following hardware (sold separately): BAG#47A Supplemental Hardware Kit BAG#62 Supplemental Hardware Kit Replacement Hardware: KIT-UUE Replacement Hardware Kit for 7/8in. and 1in. Handlebars |


US $13.95























































































